1
2
3
4
5
![20171206_1969.jpg](https://images.squarespace-cdn.com/content/v1/5ba12feff93fd40821247841/1540245296612-WIDAKYHGESVDEHXGETW0/20171206_1969.jpg)
![20171206_1966 (1).jpg](https://images.squarespace-cdn.com/content/v1/5ba12feff93fd40821247841/1540245273813-VNQL7AWG4KYC3JWMF5GA/20171206_1966+%281%29.jpg)
![20171206_1964.jpg](https://images.squarespace-cdn.com/content/v1/5ba12feff93fd40821247841/1540245264739-Y6SV45ECLMA59ZW92QI9/20171206_1964.jpg)
![20171206_1980 (1).jpg](https://images.squarespace-cdn.com/content/v1/5ba12feff93fd40821247841/1540245327988-IKM0KYGCYUC8BX1JFRKR/20171206_1980+%281%29.jpg)
![What Remains part 3](https://images.squarespace-cdn.com/content/v1/5ba12feff93fd40821247841/1541257630838-XXN5KKM1Z77O0KE571U0/image-asset.jpeg)
What Remains explores the relationship between the mind and the body, and how that relationship is changed when an individual experiences trauma. Traumatic experiences have a tendency to create a disconnect between the mind and body, this is a means by which the individual’s subconscious intends to protect itself. It is Rusk’s intent to reconcile the relationship between the mind and body through hula hooping using a series of hoops made out of unlikely materials. In this she explores the fragility of the body, the fragility of the material, and the sympathy of all things.